music projects
parallax eden
parallax eden is a project that transports the listener to a new place, where downtempo beats are crafted with uptempo grooves in imaginative ways that are both energizing and tranquilizing. It's a unique project in that the complex groove patterns intertwine in contemplative ways that are rarely achieved in modern electronic music. [more info - in production]colabs
The idea behind colabs is simple... each song is a colaboration between David Miles Huber and various artists from north america, the uk and europe. Each are true innovators in the fields of dance, electronic, traditional americana and jazz music. One thing's for certain... the resulting project is an innovative experience that'll grab your attention from the very first downbeat... [more info - buy]roads - free downloads
Roads was written/produced/ performed by David Miles Huber at Media Designers in Bloomington, Indiana in July of 1979. The basic goal of this unique ambient project was to play instruments in ways that they weren't necessarily intended to be played. This wasn't always possible (i.e. piano, recorder, etc.)... but it's a project that I'm proud of... [more info - free download]
Modern Recording Techniques
As the most popular and authoritative guide to recording available, Modern Recording Techniques provides everything you need to master the tools and day-to-day practice of music recording and production. The sixth edition has been expanded to cover the latest digital audio technology and features a new section on surround sound. For those who are just starting out or are looking for their next job in the industry, this edition also provides essential advice on career options and networking.
David Miles Hubers approachable writing style, coupled with over 500 technical diagrams, screen shots and product illustrations, makes this an essential resource which you will want to refer to again and again.
Everything you need to master the tools and day-to-day practice of music recording and production. The sixth edition has been expanded to cover the latest digital audio technology and features a new section on surround sound.
The MIDI Manual
The MIDI Manual presents a complete reference on MIDI that gives you a clear explanation of MIDI, how to use MIDI instruments, and a complete description of sequencers and how to use them. The MIDI Manual is filled with photos and screenshots, adding to the clear, concise, and practical advice given throughout the book. From a basic description of MIDI all the way through setting up an efficient MIDI system, this book provides an incredibly useful resource you'll return to again and again.
Professional Microphone Techniques
It's the ultimate guide to microphone placement, applications, and techniques by one of authors of the industry best seller, "Modern Recording Techniques." It focuses on microphone usage for dozens of instruments and vocals. Comes with an audio CD that allows you to hear the different effects of mic placement, and teaches you how to get the best recordings from the types of mics you have available. 200 pages.
Hard Disk Recordings for Musicians
Hard Disk Recording for Musicians by David Miles Huber is a complete guide to the equipment, techniques, and processes of digital audio. Covers computer-based sound editing, digital audio workstations, digital signal processing, real-world applications, sampling, and more.
CD stuff
Wanna cut down on plastic? Don't have a CD/DVD case hanging around? Try your hand at learning to make an origomi CD case out of plain paper - instructions
Restoring scratched CDs & DVDs can be done by using a clear plastic cleaner such as Meguiars Mirror Glaze Plastic Cleaner (you can get it or something like it at Schucks or most auto parts stores). Just rub a few drops of the mild abrasive onto the disc, rub in small, circular patterns with your fingertips and then wipe off the dried residue with a non-abrasive cloth. The disc'll be restored or ready to copy to a new disc. As you might expect, a small bottle of this stuff will last for years.
You don't need to buy a CD or DVD destroyer to obliterate data that you don't want to get into the wrong hands, simply throw a disc (or discs) into a microwave for a few seconds... a fun lightshow is guaranteed for all! Remember, just bake for a few seconds. I've never had any problems with this over the years, but I can't be held responsible for any actions (dumb or otherwise) that are taken by the reader.
daw and workstation tips
One of the best things you can do to improve your workflow and to save your sanity when working with a computer/DAW setup is to use two graphic monitors... dual-head is definetely the way to go!
I've found that Windows XP (won't even touch Vista) works far better and with more stability on a Mac computer... you heard that right... I've found Boot Camp is definetely the way to go! In the studio, I'm all about Windows XP, on stage... it's always about OSX! Background processing during a live performance definetely isn't worth the risk.
David Miles Huber is a producer and musician in the electronic, dance and downtempo genres, whose CD have sold over the million mark. The chilled foundation of David’s music is perfectly energized and balanced out by lush, downtempo beats and live acoustic instruments that can be performed in stereo or surround sound. These combine to create a “Zen-meets-Tech experience” that pulls the listener into a musical soundscape that’s rich, enticing and energizing.
why 51bpm?
One of the first pieces of gear that I acquired is my Raven from quasimidi. It's definetely ment to tear out in a German techno-style at 130+ bpm. However, being the downtempo guy that I am I cranked the bpm down to as low as it goes (which happens to be 51bpm)... damn, does it sound lush! It's a digitally-modeled analog synth that definetely has a meaty, full sound. Since then< i've gotten a few other pieces of quasimidi gear and the bpm name stuck with me. Even though I work at various tempos (even ranging into the low 100's), I stilll have a soft spot for well-crafted 51bpm. Coincidently, the "51" works very well with my passion for working in surround... and thus 51bpm.com was born.electronic music collective
A few years back a like-minded group of extremely talented musicians and djs in Seattle and London decided to formally band together to form "EMC". Since that time, we have dedicated ourselves to making high-quality electronic music in styles that range from downtempo to bangin' shake your butt dance music. Our charter also calls for educational outreach in the pacific NW area... something that we hope to expand in the near future.One of our special calling cards is our love for melody, in addition to simply being a slave to the rhythm. Some might call it intelligent music that works both in concert or on the dance floor. In addition, we have the rare ability to perform live in 4.0 or 5.1 surround sound... often to an amazing 3-screen visuals display, as shown in our amazing Youngstown gigs.
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